Margaret Atwood on Changes in Publishing

I love this keynote address from award-winning poet and author Margaret Atwood at the Tools of Change conference. She talks about authors being the "dead moose" of publishing and says, "Authors are a primary source. Everything else in the world of publishing depends on them." She includes libraries, schools, book reviewers/bloggers, publishers, agents, printers, book cover designers, etc. in that analogy--all of whom rely, first and foremost, on authors to write books. She also says that authors are like anchovies in the food chain, and the anchovies are getting restless. Ha! She's fun, witty and engaging, and offers some great food for thought. (No pun intended! But she does use lots of food metaphors.)

Watch live streaming video from oreillyconfs at livestream.com

Jazz & Jeeves?

Happy Valentine's Day, everyone!! Today, being the day that it is, I just had to share this video from UK rappers, Raxstar and Sunit. It's called "Keep it Undercover," and Jeeves could totally have written it for Jazz . . .

"I Want My Life To Be Awesome NOW."

Recently, I put up a link to a video that was created in response to the recent bullying incidents of LGBTQ youth. The basic message was "it gets better." Well, this video is by young people who don't want to wait for it to get better. They want it to be better now. And I can totally relate to that sentiment . . .


Reteaching Gender and Sexuality from Sid Jordan on Vimeo.

Class and Language

Here's a fascinating glimpse of how accents and language play into perceptions around class and privilege:

Links, Upcoming Events, Awesome Video

I shared this video on Facebook, but love it so much I want to share it here, too. It was created by my partner-in-crime, Hollis, and it ROCKS.



Interview
If you're not sick of me like I am, you can check out a recent interview on Sayantini Dasgupta's blog. I'm not doing many interviews these days, but Sayantani had the best, thought-provoking questions, and I cleared off some space to answer them. Check that out here.

Events
I'm going to be in Albuquerque, New Mexico from November 5-7th for YALSA (the Young Adult Literature Symposium of the American Library Association)'s conference on diversity, and on November 22nd, I'll be in Orlando, Florida for the ALAN conference (the Assembly on Literature for Adolescents, a branch of the National Council of Teachers of English). If you're in or around either of those, please come by and say hello!

On Security

Olugbemisola tweeted the TED site today for a revisit of Adichie's "single story" video. While there, I also ended up watching Eve Ensler's talk on security. It's very interesting and not super long. Check it out . . .

Fangirl Crush

I love Sheila Chandra. Her story is inspiring, her voice is magic, and she has this total earth-mother-goddess vibe. She has no classical training in music and, as a child, she practiced singing so that her voice would be ready when the opportunity came. This is from the bio on her website:

"Born in South London to a South Indian immigrant family, Sheila Chandra discovered her voice at the age of twelve and whilst at Theatre Arts school. From this moment her chosen path was to be a singer. Lacking any real contacts or access to the music business, she nevertheless honed her vocal skills as a labour of love, spending up to two hours a night throwing her voice into the tall, draughty and uncarpeted stairwell of the family home: 'I didn’t know how to manufacture an opportunity, but I was determined that when a chance came my way I would be ready.'"

Don't you just love that? She is an artist's artist - constantly scrapping everything and starting from scratch, transforming herself and her art, and stitching new styles together as she goes along. *Very* inspiring.

I just came across this early video of her beatboxing, in the ancient, Indian style . . . 

Music Videos: Whose Fantasy Is It?

ETA: I seem to be experiencing #bloggerfail. Some people are not able to view the trailer for some reason, so here's a link to where you can watch it. It's definitely worth watching. If you're feeling squeamish, please keep in mind that these are mass media images. Music videos are the common language of young people, and children as young as nine and ten years old are watching these images, digesting them, and incorporating them into their ideas of who they are and how relationships are constructed.

Okay, EVERYONE WATCH THIS TRAILER. Then get every high school/college/university teacher you know to purchase a copy and screen it for their students. I had to watch the whole thing on Youtube because the price was a bit steep for me, but if your school or organization can purchase it, it's WELL worth it to get young people thinking critically about what they're consuming - and how those images/messages shape their ideas of who they are . . . If you're having trouble seeing it here, go to this link. The video was written and directed by Sut Jhally, Ph.D. Dr. Jhally is a professor of Communication at the University of Massachusetts at Amherst, and Founder and Executive Director of the Media Education Foundation.

Since I'm having trouble embedding the trailer, here is part one (of seven) of the video . . .

Documentary: DESIGIRLS!

Was just pointed to this trailer for DESIGIRLS! from Racialicious about the idea of a collective single South Asian community and how that doesn't always work for South Asian LGBTQ folk. There's an article on feministing.com about the doc with links to parts one and two on Youtube. Definitely worth checking out.

The Power of Images and Words

I woke up this morning to pouring rain and a family running around in stealth mode as they prepared for Mom's Day. H took the kids out and I sat down at the computer for some leisurely surfing with my tea and breakfast.

First video I saw was MIA's Born Free. Holy Wow. I wish I had been more prepared. My gut was churning, and I was trembling for at least an hour afterward. Take that as a warning if you plan to watch the video. It is intense. Violent. MIA flips stereotypes upside down by showing US forces rounding up redheaded young males and taking them into the desert to pick them off one by one in a sort of "redhead genocide". Disturbing, to say the least. And kind of eye-opening, too. I'm sure it will/does challenge many viewers' assumptions and associations with certain images and representations.

I wandered around afterward, searching for ways to get back to that leisurely space I was in pre-MIA-video, and it struck me how privileged I am - to know that my kids are safe. That I can sit at my computer and leisurely surf while eating breakfast. That I know I'll wake up tomorrow and celebrate with my family. What a jolt to be reminded that these are considered privileges and not rights. Basic human rights.

I didn't know what to do with myself because I was a bit of a mess with those images still fresh in my mind. So I started tidying up, a trick I learned from my mother who was always a bit of a mess :). And my eyes lit upon a video the hubs brought home - Tell Them Anything You Want: A Portrait of Maurice Sendak, by Lance Bangs and Spike Jonze. I popped it in. The images of trees, the silence of Connecticut in the winter, the colour of leaves in the fall, the love between siblings and friends and family, and the connection with animals were soothing. Reminded me of the fragile, but persistent struggle for Life to prevail, even in the harshest of circumstances.

I thought, too, of what a gift words and images can be - what a soothing balm they often have been. Bringing me off ledges and surrounding me in warmth and safety. Sometimes tearing me down and other times building me up.

There were many poignant moments in the video, but here are a few quotes from Sendak's interview in Tell Them Anything You Want:

About Where the Wild Things Are, "I knew, I knew, I knew it would cause a lot of trouble. And my editor knew it and all she did was encourage me. 'Go for it, go for it. Don't worry about anything or anybody'."

About his editor, "Her name was Ursula Nordstrom. She made me who I am. She gave me a book every year. She kept me working. I mean, can you imagine mentorship from a publishing house? She intended that I should be an important illustrator. She knew I could be. I had bad habits, I never went to art school, I drew in a clumsy fashion, but she could see beneath that."

"It's not true that I write books for children because I have this adoration of childhood. No. It's a peculiarity of mine that I do this. What I do is peculiar, but it's all I can do."

"Having children takes talent, like any creative thing you want to do - if you want to be good at it."

"When I was gay, the world was extremely unwelcoming and it was very different. And it was something you hid...I missed out on a lot of fun... When I was young, I was worried that that knowledge, were it to come out, would ruin my career."

"I did some good books, which mostly is an isolationist's form of life--doing books, doing pictures. And it is the only true happiness I've ever, ever enjoyed in my life. It's sublime. To just go into another room and make pictures. It's magic time, where all your weaknesses of character and all blemishes of personality and whatever else torments you fades away...it just doesn't matter. You're doing the one thing you want to do and you do it well and you know you do it well and you're happy."

"I think what I offered was different, but not because I drew better than anybody, or wrote better than anybody, but because I was more honest than anybody."

"And in the discussion of children and the lives of children and fantasies of children and the language of children, I said anything I wanted. Because I don't believe...that there's a demarcation - 'well, you mustn't tell them that and you mustn't tell them that.' You can tell them anything you want. Just tell them if it's true. If it's true, you tell them."

Sam's Search for Self

My allergies are clogging everything up as I hack and wheeze from pollen poisoning. So, yesterday I was home mucking around on the computer (and neglecting my kids) while the sun smiled down on the Bronx.

BUT - I have something to show for it! Whether it was worth staying in - and neglecting my kids for seven entire minutes - is up for debate. However...here's Samar, the main character from SHINE, COCONUT MOON, doing Google searches to learn more about herself, her culture, and her religion...



If you don't have allergies, hope you're out enjoying the weather! If you're like me and my kids, however, try saline - it's been a real blessing. Saline nasal spray, saline eye wash...herbal cough syrup, and lots and lots of hot tea.

Frigid Climes

I am not looking forward to the frigid, blustery cold of Toronto, but I am looking forward to the warmth of family and old, dear friends when I go up this week for two booksignings. I remember shopping in Yorkdale Mall and blowing my paycheck on boots and then, a few years later, working retail at the Eaton Centre, still blowing my paychecks.

It feels a bit full circle going up to those malls, in particular, to sign copies of my first published novel. I hope to see some old friends I haven't seen in many years, and I hope to eat lots of butter tarts while I'm at it. If you're in Toronto, please stop by and join me in a butter tart, or several!

You can also check out a radio interview with me on Toronto's only South Asian channel, CINA Radio 1650am, tomorrow (Saturday) from 10-11am. If you're not in Toronto, you can still catch it online at CINAradio.com tomorrow during the same time.

In other news, for those of you who aren't familiar with the Debs, where have you been all year? JK. The fearless leader of the Debs, Jackson Pearce, did a very cool video where she dispenses invaluable writing advice. Many Debs are in the video (including yours truly), as are other talented authors and a cutie toward the end whom I have never met and do not know. Check it out:

SHINE Trailer Face Off

Please vote by commenting on which trailer you like better. Tell me why you picked the one you did -- what appealed to you, what didn't, etc. Each commenter's name will go into the hat to win a signed copy of SHINE, COCONUT MOON. Sorry, your name will only be put in once, regardless of the number of times you comment :).

[Edited to add: The comments are SOOO helpful!! A huge thank you to everyone who has commented so far. I will continue putting names into the hat until 11:59 p.m. Friday, March 27th. Then I will do that Random Number Generator thingie.]

Trailer # 1:



Trailer # 2 (props to Saundra Mitchell, author of SHADOWED SUMMER, for turning me on to Moviestorm):